![]() ![]() ![]() There’s empathy for all those scarred by this conflict, even in a strange way for John (Amir El-Masry), the British-accented Isis jailer who makes Rye’s life hell but is revealed in closeup to be consumed with his own kind of psychic pain. Oplev doesn’t shy away from the depiction of torture and suffering experienced by Rye and his fellow prisoners, one of whom was James Foley, an American journalist whose plight became an international story.Īnyone who followed the news at the time will know the tragedies that lay ahead, but the point here isn’t what happened but it why. The film toggles smoothly back and forth between Rye’s family back home, scrabbling to raise the money without letting the story get into the press, and Rye himself in Syria. They demand a multimillion-dollar ransom, but the Danish government sticks to its policy of not negotiating with terrorists. ![]() In the film, after an injury ruins Rye’s sports career, a shift into photojournalism takes him to Syria where he falls into the hands of Isis, which was barely known at that time. ![]()
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